<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-11580574</atom:id><lastBuildDate>Tue, 09 Mar 2010 16:32:11 +0000</lastBuildDate><title>The Charles Lloyd Blog</title><description>Blog for Composer and Saxophonist Charles Lloyd.</description><link>http://charleslloyd.com/blog/</link><managingEditor>noreply@blogger.com (Jeffery Morse)</managingEditor><generator>Blogger</generator><openSearch:totalResults>145</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-8822875189258595092</guid><pubDate>Thu, 04 Mar 2010 01:42:00 +0000</pubDate><atom:updated>2010-03-03T17:44:08.484-08:00</atom:updated><title>Metal Jazz reviews Ben Ingram vs. the State of Mississippi</title><description>&lt;img src="http://www.metaljazz.com/ingramcam-thumb.jpg" width="20%"&gt;&lt;br /&gt;&lt;br /&gt;The emotional peak hits on Sunday, when Darr's documentary "Ben Ingram vs. the State of Mississippi" screens. Ingram, Charles Lloyd's grandfather, was quite a rarity in the early 1900s -- a black man who owned 1,600 acres of Mississippi farmland. Through interviews and archival images of slave lists and Jim Crow signage, Darr sets up the climate that made Ingram's success so improbable, as Lloyd's aching saxophone etches the soundtrack. Then Darr brings down the hammer with the crossroads moment in 1918 when Ingram kills his white neighbor in a boundary dispute.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metaljazz.com/2010/02/scene_charles_lloyd_films_at_t.php"&gt;Click here for the full review.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-8822875189258595092?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2010/03/metal-jazz-reviews-ben-ingram-vs-state.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-1769488480613600399</guid><pubDate>Thu, 04 Mar 2010 01:04:00 +0000</pubDate><atom:updated>2010-03-09T08:32:11.877-08:00</atom:updated><title>Spring / Summer 2010 Schedule</title><description>Charles Lloyd New Quartet with&lt;br /&gt;Jason Moran, Reuben Rogers, and Eric Harland&lt;br /&gt;&lt;br /&gt;Sangam with Zakir Hussain and Eric Harland&lt;br /&gt;&lt;br /&gt;April : New Quartet&lt;br /&gt;&lt;a href="http://www.capetownjazzfest.com/"&gt;3 Cape Town Jazz Festival &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.sfjazz.org/concerts/2010/spring/artists/lloyd.php"&gt;25 Palace of Fine Arts, San Francisco&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;May: New Quartet &amp; Sangam&lt;br /&gt;&lt;a href="http://www.melbournejazz.com/v2009/webpages/home.php"&gt;4 Melbourne Recital Hall, Melbourne, Australia New Quartet &lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.melbournejazz.com/v2009/webpages/home.php"&gt;8 Melbourne Town Hall,  Sangam &lt;/a&gt;&lt;br /&gt;9 Bruce Mason Center, Auckland, NZ  New Quartet&lt;br /&gt;29 Congress Center Hall, Jerusalem New Quartet&lt;br /&gt;&lt;br /&gt;June : New Quartet&lt;br /&gt;3 Athens Festival, with Maria Farantouri&lt;br /&gt;&lt;a href="http://www.veronissima.com/sito_inglese/html/events_jazz-festival_ing.html"&gt;30 Verona, Italy&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;July : New Quartet&lt;br /&gt;1 Gexto, Spain&lt;br /&gt;&lt;a href="http://jazz-baltica.com"&gt;3 Jazz Baltica, Salzau, Germany&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.projazz.pt"&gt;4 Estoril Jazz, Estoril, Portugal &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-1769488480613600399?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2010/03/spring-summer-2010-schedule.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-458621143288120655</guid><pubDate>Thu, 04 Mar 2010 00:51:00 +0000</pubDate><atom:updated>2010-03-03T17:03:44.279-08:00</atom:updated><title>Trailer for Sounds and Silence</title><description>&lt;img src="http://www.soundsandsilence.ch/images/bg_03.jpg" width="50%"&gt;&lt;br /&gt;A film about ECM and Manfred Eicher.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.soundsandsilence.ch/english/trailer.html"&gt;Click here to watch.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-458621143288120655?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2010/03/trailer-for-sounds-and-silence.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2335021011585433061</guid><pubDate>Thu, 04 Feb 2010 17:01:00 +0000</pubDate><atom:updated>2010-02-04T09:21:03.752-08:00</atom:updated><title>SBIFF Premier: The Monk and the Mermaid – the song of Charles Lloyd</title><description>&lt;img src="http://charleslloyd.com/images/monk_web.jpg" width="100%"&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2335021011585433061?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2010/02/sbiff-premier-monk-and-mermaid-song-of.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-5410473177569106999</guid><pubDate>Wed, 21 Oct 2009 11:05:00 +0000</pubDate><atom:updated>2009-10-21T18:49:13.402-07:00</atom:updated><title>The Monk and the Mermaid – the song of Charles Lloyd</title><description>A film by Fara C with Guiseppi de Vecchi.&lt;br /&gt;&lt;br /&gt;This film will be broadcast on MEZZO , October 29.&lt;br /&gt;&lt;br /&gt;Thursday October 29th, at 20:30 for an exceptional evening of jazz  dedicated to Charles Lloyd during prime time.&lt;br /&gt; &lt;br /&gt;"The Monk and the Mermaid – the Song of Charles Lloyd" followed by two live concerts given by Charles Lloyd in 2008&lt;br /&gt; &lt;br /&gt;Hyeres Jazz Festival ( realized by Samuel Thiebaut )  duo concert with Jason Moran.&lt;br /&gt; &lt;br /&gt;Nantes, aux Rendez-vous de l’Erdre ( realized by Jean-Marc Birraux)  Charles Lloyd Sangam Trio with Zakir Hussain and Eric Harland&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-5410473177569106999?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/10/monk-and-mermaid-song-of-charles-lloyd.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-5125454312862027568</guid><pubDate>Wed, 02 Sep 2009 17:46:00 +0000</pubDate><atom:updated>2009-09-02T11:24:05.888-07:00</atom:updated><title>Updated Seattle Dates</title><description>&lt;img src="http://www.earshot.org/images/Header_Earshot.jpg", width="80%"&gt;&lt;br /&gt;&lt;br /&gt;The Charles Lloyd New Quartet will be playing in Seattle, WA, Sunday December 6, 2009 at Town Hall.&lt;br /&gt;&lt;br /&gt;1119 Eighth Avenue (at Seneca Street)&lt;br /&gt;Seattle, WA 98101&lt;br /&gt;Phone (206) 652-4255&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.earshot.org/Events/Promo_Pages/promo_Lloyd_Charles.html"&gt;Click here for the Earshot Jazz website.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-5125454312862027568?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/09/updated-seattle-dates.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-4008689037307492575</guid><pubDate>Thu, 23 Jul 2009 09:56:00 +0000</pubDate><atom:updated>2009-07-23T03:00:35.329-07:00</atom:updated><title>Charles Lloyd Quartet - Highline Ballroom</title><description>&lt;img src="http://www.allaboutjazz.com/photos/2009/CharlesLloydQuartetB_sc.jpg" width="20%"&gt;&lt;br /&gt;&lt;br /&gt;Charles Lloyd hasn't lost a step. He has an instantly recognizable and deeply personal sound on every instrument in his formidable arsenal. His technique gets an audience feeling it. But perhaps his most underrated gift is the ability to be a catalyst for the players around him.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.allaboutjazz.com/php/article.php?id=33523"&gt;Click here for the rest of the article at All About Jazz.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-4008689037307492575?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/07/charles-lloyd-quartet-highline-ballroom.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-6805178516435882122</guid><pubDate>Thu, 09 Jul 2009 13:53:00 +0000</pubDate><atom:updated>2009-07-09T06:56:02.663-07:00</atom:updated><title>Rico Reeds / facebook blog</title><description>Charles Lloyd is a jazz musician of the absolute highest accomplishment. A brilliantly original, deeply swinging, hard-driving, romantic voice. When I listen to him live or on recordings there's a stunning electricity, a hard-swinging vibrancy, and deep groove in all he does. Hearing him live is an inspiration I treasure for years in my mind. This past Saturday in New York City at the Highline Ballroom with his working quartet of Jason Moran, Eric Harland and Reuben Rogers was one of those nights.The telepathic communication and flawless execution on this live set was an outstanding performance from Lloyd, Moran,Rogers and Harland. One of the best live concerts I heard all year, and I noted with extreme interest this was the opinion of many others in the audience. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/topic.php?topic=8949&amp;post=32619&amp;uid=42047667201#post32619"&gt;Click here for more at Rico Reeds / facebook blog.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-6805178516435882122?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/07/rico-reeds-facebook-blog.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2605045456669820494</guid><pubDate>Thu, 25 Jun 2009 17:58:00 +0000</pubDate><atom:updated>2009-06-25T11:00:58.564-07:00</atom:updated><title>Charles Lloyd New Quartet in NYC - July 3rd</title><description>Charles Lloyd&lt;br /&gt;Friday, July 3 10:30p&lt;br /&gt;at Highline Ballroom, New York, NY&lt;br /&gt;&lt;br /&gt;At 71 when most individuals are thinking of ways to slow down and kick back, Charles Lloyd has shifted to a higher gear and keeps going higher. To celebrate his 70th birthday in March of 2008, he released his first live quartet recording in over twenty-five years, " Rabo de Nube" on ECM Records&lt;br /&gt;&lt;br /&gt;&lt;a href="http://events.nydailynews.com/new-york-ny/events/show/87021494-charles-lloyd"&gt;Click here to buy tickets.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2605045456669820494?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/06/charles-lloyd-new-quartet-in-nyc-july.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-1658635816359576994</guid><pubDate>Tue, 16 Jun 2009 15:17:00 +0000</pubDate><atom:updated>2009-06-16T08:22:04.691-07:00</atom:updated><title>New Fall Tour Dates Added</title><description>The Charles Lloyd New Quartet is on the road again - &lt;br /&gt;Jason Moran, Reuben Rogers, Eric Harland.&lt;br /&gt;&lt;br /&gt;Oct 2:  Enjoy Jazz Festival, Heidelberg, Germany&lt;br /&gt;&lt;br /&gt;Oct 6: Demitria Festival, Thessolonki, Greece&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-1658635816359576994?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/06/new-fall-tour-dates-added.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2926610635307343017</guid><pubDate>Tue, 09 Jun 2009 04:31:00 +0000</pubDate><atom:updated>2009-06-08T21:32:37.333-07:00</atom:updated><title>#1 End of Year Standout Wall Street Journal 2008</title><description>“.. with a place among jazz’s elder masters, ( Charles Lloyd ) revered not the least for an ability to conjure near-mystic moods from jazz vernacular. He’s expansive in his musical discourse yet without a wasted note.”       &lt;br /&gt;~Larry Blumenfeld&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2926610635307343017?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/06/1-end-of-year-standout-wall-street.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-6881379391025956609</guid><pubDate>Tue, 02 Jun 2009 15:20:00 +0000</pubDate><atom:updated>2009-06-02T08:21:59.240-07:00</atom:updated><title>Jazz Times Critic’s Poll 2008</title><description>&lt;img src="http://jazztimes.com/images/ui/logo_jt.gif" width="40%"&gt;&lt;br /&gt;&lt;br /&gt;#1 Jazz Times Critic’s Poll 2008    &lt;br /&gt;“If a poll is defined as ‘Who among living players has made the greatest contribution to the tenor saxophone?’  then the poll results are appropriate. If a poll means ‘Who is playing the most tenor saxophone now?’ then the positions of Sonny Rollins and Charles Lloyd should be reversed.”             &lt;br /&gt;&lt;br /&gt;~Tom Conrad&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-6881379391025956609?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/06/jazz-times-critics-poll-2008.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-5020091688247458601</guid><pubDate>Thu, 28 May 2009 15:14:00 +0000</pubDate><atom:updated>2009-05-28T08:25:20.462-07:00</atom:updated><title>Crawling Thickets of Groove</title><description>&lt;img src="http://jazztimes.com/images/content/articles/0004/2473/200902_010_depth1.jpg?1234883696" width="50%"&gt;&lt;br /&gt;       &lt;br /&gt;#1 Jazz Times Reader’s Poll 2008               &lt;br /&gt;“Melody with gentility, crawls through thickets of world groove, stately, sacred seeking,  and with Impulse! – era courage.”                &lt;br /&gt;~ Evan Haga&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-5020091688247458601?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/05/crawling-thickets-of-groove.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-870394640572715551</guid><pubDate>Sun, 17 May 2009 15:28:00 +0000</pubDate><atom:updated>2009-05-17T08:32:36.009-07:00</atom:updated><title>Sangam Interview on The Checkout</title><description>&lt;img src="http://www.wbgo.org/thecheckout/wp-content/uploads/2009/04/sangam_s.jpg" width="50%"&gt;&lt;br /&gt;&lt;br /&gt;Tabla master Zakir Hussain is the featured performer for Carnegie Hall’s Perspectives series.  Zakir, Charles Lloyd, and drummer Eric Harland talk candidly about seeking spirituality through music in their trio, Sangam.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.wbgo.org/thecheckout/?p=452"&gt;Click here for more at WBGO.org.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-870394640572715551?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/05/sangam-interview-on-checkout.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-3810745795862274153</guid><pubDate>Sat, 16 May 2009 19:10:00 +0000</pubDate><atom:updated>2009-05-16T12:12:46.046-07:00</atom:updated><title>2009 Summer / Fall Tour Schedule</title><description>Charles Lloyd New Quartet:&lt;br /&gt;Jason Moran, Reuben Rogers, Eric Harland&lt;br /&gt;&lt;br /&gt;June&lt;br /&gt;25 Vigo, Spain&lt;br /&gt;&lt;br /&gt;July&lt;br /&gt;2   Dakota - Minneapolis, MN&lt;br /&gt;3   Highline Ballroom - NY, NY&lt;br /&gt;5   Ottawa International Jazz Festival - Ottawa, Canada&lt;br /&gt;25 Nice Jazz Festival - Nice, France&lt;br /&gt;28 Liguria Jazz Summer - Santa Margarita, Italy&lt;br /&gt;29 La Fenice - Venice, Italy&lt;br /&gt;31 Stadtfest - Tubingen, Germany&lt;br /&gt;&lt;br /&gt;August&lt;br /&gt;4  Jazz In Marciac - Marciac, France&lt;br /&gt;&lt;br /&gt;October&lt;br /&gt;4  Angra Jazz Festival, Azores&lt;br /&gt;16 U of Texas - Austin, Texas&lt;br /&gt;17 Cullen Theater - Houston, Texas&lt;br /&gt;&lt;br /&gt;December&lt;br /&gt;4  University of California - Santa Cruz, CA&lt;br /&gt;5  Seattle,WA TBA&lt;br /&gt;6  Portland, OR TBA&lt;br /&gt;8  Disney Hall, Los Angeles, CA&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.charleslloyd.com"&gt;Click here for CharlesLloyd.com.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-3810745795862274153?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/05/2009-summer-fall-tour-schedule.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-7527657957734389546</guid><pubDate>Sat, 02 May 2009 18:08:00 +0000</pubDate><atom:updated>2009-05-02T11:11:21.185-07:00</atom:updated><title>NYTimes Review of Perspectives at Carnegie Hall</title><description>&lt;img src="http://graphics8.nytimes.com/images/2009/05/01/arts/zakspan.jpg" width="80%"&gt;&lt;br /&gt;&lt;br /&gt;Sangam, which features the saxophonist Charles Lloyd and the drummer Eric Harland, made the concert’s first half an intrepid outing. The trio’s first offering, “Guman,” featured meditative vocals by Mr. Hussain, who wrote the song, but first came a mysterious rustle of shakers and a rumbling piano drone, played first by Mr. Lloyd and then by Mr. Harland.&lt;br /&gt;&lt;br /&gt;On the next few songs, Mr. Lloyd was the one sounding a melodic incantation, on tenor, alto or tárogató, a straight woodwind instrument; his outpourings were imploring and soulful.&lt;br /&gt;&lt;br /&gt;The trio delivered its share of percussive flash — Mr. Hussain was right to introduce Mr. Harland as “my partner in rhythm crime” — but the more lasting impression of the first half was melodic. This had to do partly with the pianist Jason Moran, an unbilled guest on the song “Tales of Rumi.” &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.nytimes.com/2009/05/01/arts/music/01huss.html?_r=2&amp;adxnnl=1&amp;adxnnlx=1241287549-+H3SLH53y6OxTKxc/SrQtA"&gt;Click here for the rest of the NYTimes review.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-7527657957734389546?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/05/nytimes-review-of-perspectives-at.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2575713677114787037</guid><pubDate>Wed, 18 Mar 2009 12:09:00 +0000</pubDate><atom:updated>2009-03-18T05:20:30.844-07:00</atom:updated><title>Sangam at Carnegie Hall</title><description>&lt;img src="http://www.carnegiehall.org/common/imgs/nav_CHLogo_off.gif"&gt;&lt;br /&gt;&lt;br /&gt;Sangam will perform at Carnegie Hall on April 29th as part of the Perspective Series that Zakir Hussain is curating this year. The evening is announced as " Zakir Hussain and Friends, Featuring Sangam with Charles Lloyd and Eric Harland, and members of Remember Shakti." It should be an unforgettable evening of music with new collaborations between the two groups.&lt;br /&gt;&lt;br /&gt;During recent concerts in Dubai and Mumbai, Sangam performed with Shankar Mahadevan, U Shrinivas, V. Selvaganesh, and T. Qureshi - both events were thrilling. Not to be missed. &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.carnegiehall.org/article/box_office/events/evt_11740.html"&gt;Click here for the Carnegie Hall site.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2575713677114787037?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/03/sangam-at-carnegie-hall.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-6086597605099826222</guid><pubDate>Tue, 03 Feb 2009 15:56:00 +0000</pubDate><atom:updated>2009-02-03T07:58:10.432-08:00</atom:updated><title>Remembering Abbaji - Mumbai Mirror</title><description>&lt;img src="http://cms.mumbaimirror.com/portalfiles/1/2/200902/Image/030209/08-01.jpg" width="20%"&gt;&lt;br /&gt;&lt;br /&gt;The purpose of life is to serve God, and I do this through music,” says the legendary saxophonist Charles Lloyd. Charles Lloyd fell in love with the Vedas during the Ramakrishna Mission movement during the '60s in the States. In fact, the jazz man took a break in his career to attain a higher state of mental awareness under the guidance of gurus at a Vedanta temple in Santa Barbara. His travels took him everywhere other than India.&lt;br /&gt;&lt;br /&gt;Lloyd finally comes to India to play for the annual barsi celebration of Ustad Alla Rakha Khan as part of Sangam - a trio completed by Ustad Zakir Hussain and Eric Harland. The concert will also honour the tabla maestro Kishan Maharaj, who passed away last year.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mumbaimirror.com/index.aspx?page=article&amp;sectid=2&amp;contentid=20090203200902030305268725d8ab37e"&gt;Click here for more at the Mumbai Mirror.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-6086597605099826222?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/02/remembering-abbaji-mumbai-mirror.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2082516467915112982</guid><pubDate>Fri, 02 Jan 2009 18:33:00 +0000</pubDate><atom:updated>2009-02-03T07:59:56.545-08:00</atom:updated><title>Wall Street Journal: The Best Span . . .</title><description>Jazz these days has no one single source or sound, and that's a good thing. Many of the musicians on my top-10 list have been covered in these pages during the course of 2008 -- guitarist Lionel Loueke, clarinetist Evan Christopher, singer Cassandra Wilson, pianist Guillermo Klein, the Microscopic Septet. But here are five more -- reflecting the influence of three continents and as many generations -- who stood out.&lt;br /&gt;&lt;br /&gt;Charles Lloyd&lt;br /&gt;"Rabo de Nube"&lt;br /&gt;ECM/$17.98&lt;br /&gt;&lt;br /&gt;Forty years ago, saxophonist Charles Lloyd was a pop star; his 1966 album, "Forest Flower," sold a million copies. These days he must content himself with a place among jazz's elder masters, revered not least for an ability to conjure near-mystic moods from jazz vernacular. Much like the band led by saxophonist Wayne Shorter, yet in a very different way, Mr. Lloyd's current group reinvents the quartet format, investing it with unpredictable organic possibility. Pianist Jason Moran, a brilliant bandleader himself, is one key. No less elemental are drummer Eric Harland and bassist Ruben Rogers. The three much younger musicians feed more than follow Mr. Lloyd. And he, playing tenor saxophone and, on occasion, alto flute and tarogato (an Eastern European reed instrument), is by turns hard-blowing and ruminative. He's expansive in his musical discourse yet without a wasted note.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://online.wsj.com/article/SB123033027287636091.html?mod=rss_Arts_and_Entertainment"&gt;Click here for the Rest of the Best.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2082516467915112982?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2009/01/wall-street-journal-best-span.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-2472415322305924833</guid><pubDate>Mon, 29 Dec 2008 19:54:00 +0000</pubDate><atom:updated>2009-01-02T10:31:28.310-08:00</atom:updated><title>Rabo de Nube - Best of 2008</title><description>&lt;img src="http://extras.mnginteractive.com/live/media/site36/2008/1225/20081225__20081228_E09_AE28SAUNDERS~p1_200.JPG"&gt;&lt;br /&gt;&lt;br /&gt;Denver Post says:&lt;br /&gt;1. Charles Lloyd,"Rabo de Nube"(ECM) Life-affirming, playful and energetic are all words that apply to the work of saxophonist Lloyd, whose most recent recordings are his finest. Recommended not just for the symbolic passing of the torch between the 70-year old master and the young pianist Jason Moran, but also for the most absorbing explorations released this year. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.denverpost.com/headlines/ci_11310067"&gt;Click here for the rest of the Best.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-2472415322305924833?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/rabo-de-nube-best-of-2008.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-7973928371135058345</guid><pubDate>Sat, 20 Dec 2008 13:45:00 +0000</pubDate><atom:updated>2008-12-20T05:47:20.337-08:00</atom:updated><title>facebook photos of Sangam 2004/2005</title><description>&lt;img src="http://photos-d.ak.fbcdn.net/photos-ak-snc1/v1550/245/7/103934270623/n103934270623_5258419_463.jpg" width="100%"&gt;&lt;br /&gt;Added a few more photos from Sangam on facebook.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/pages/manage/updates.php?id=103934270623&amp;sent=1&amp;e=0#/album.php?aid=195527&amp;id=103934270623"&gt;Click here to view photos and follow Charles Lloyd on facebook.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-7973928371135058345?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/facebook-photos-of-sangam-20042005.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-97190912538630110</guid><pubDate>Thu, 18 Dec 2008 02:45:00 +0000</pubDate><atom:updated>2008-12-17T18:55:15.486-08:00</atom:updated><title>Time-lapse: Charles Lloyd New Quartet</title><description>&lt;img src="http://www.deepfield.net/images/clnq_thumb.jpg" width="100%"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CHARLES LLOYD NEW QUARTET&lt;br /&gt;SANTA FE, NM - LENSIC THEATER&lt;br /&gt;Song: RAMANUJAN&lt;br /&gt;Album: RABO DE NUBE&lt;br /&gt;Photography: JEFFERY MORSE&lt;br /&gt;&lt;br /&gt;&lt;a href="http://deepfield.net/santa_fe.htm"&gt;Click here to watch.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-97190912538630110?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/time-lapse-charles-lloyd-new-quartet.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-4486440493640553756</guid><pubDate>Thu, 11 Dec 2008 20:55:00 +0000</pubDate><atom:updated>2008-12-11T13:01:23.053-08:00</atom:updated><title>Charles Lloyd on facebook</title><description>&lt;img src="http://charleslloyd.com/images/cl_index.jpg" width="50%"&gt;&lt;br /&gt;&lt;br /&gt;Just created a new page for Charles Lloyd on facebook.  If you're a facebook user join the group and support the cause.   If not, join facebook. What are you waiting for?&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.facebook.com/pages/Charles-Lloyd/103934270623?ref=s"&gt;Click here to join Charles Lloyd on facebook.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-4486440493640553756?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/charles-lloyd-on-facebook.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-7929108071166590967</guid><pubDate>Thu, 11 Dec 2008 20:03:00 +0000</pubDate><atom:updated>2008-12-11T12:07:01.843-08:00</atom:updated><title>Promo Spot for Charles Lloyd Quartet</title><description>&lt;object width="576" height="324" &gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://www.facebook.com/v/49932301958" /&gt;&lt;embed src="http://www.facebook.com/v/49932301958" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="576" height="324"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-7929108071166590967?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/promo-spot-for-charles-lloyd-quartet.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-11580574.post-934275953934112375</guid><pubDate>Wed, 03 Dec 2008 21:34:00 +0000</pubDate><atom:updated>2008-12-03T13:52:08.205-08:00</atom:updated><title>Odetta</title><description>&lt;img src="http://www.charleslloyd.com/images/Charles-and-Odetta_web.jpg"&gt;&lt;br /&gt;&lt;br /&gt;My heart weighs heavy with the news that the world has lost one of it's most beautiful, deep and compassionate voices and soldiers for peace. When Rosa Parks was asked what her favorite song was, she replied  "Anything by Odetta." &lt;br /&gt;&lt;br /&gt;Anything she sang couldn't help but pierce your heart with her humanity. I especially loved her singing of Dylan... and any spiritual she sang took you right to the bosom of Angel Oak. It was my honor and privilege to have met her, and sat beside her in conversation.&lt;br /&gt;God bless your beautiful soul.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11580574-934275953934112375?l=charleslloyd.com%2Fblog%2Findex.html' alt='' /&gt;&lt;/div&gt;</description><link>http://charleslloyd.com/blog/2008/12/odetta.html</link><author>noreply@blogger.com (Jeffery Morse)</author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></item></channel></rss>